What Is Entura Art?

Entura art, a unique drawing technique was so named and is being taught by Patricia Hayes, founder of Delphi University and Spirit Center in McCaysville, Georgia. Ms. Hayes was the personal assistant to Arthur Ford. She is a gifted spiritual channel and has spent the past 40 years teaching people to develop their spiritual abilities.

Entura art involves entering a meditative state and communicating with Spirit. Similar to channeled writing, Entura art is automatic and uses color. There is little “thinking” involved. Art itself uses the left brain for technique and Entura art requires none of this knowledge. In fact, the beauty of this is that no prior art experience is necessary.

Relaxation is key. You ask a question and the information is received. It is as if you serve as a container collecting the information until you sit down to “draw it” from you and put it to paper. The relaxed state continues as one draws what comes through Energy.

The colors have meaning; the shapes have meaning. Without intending, people draw faces, animals, and forms. Each element has a reason for being there.

In the Entura art course, some exercises included meditation and writing. From there, you create the art. After the artwork is completed, the relaxed state continues because that is from where the image is interpreted. Remember, the artwork answers a question. The images are very beautiful and wonderful to view. No matter how many times you see it, you may find something in the art work you had never seen before. This numinous information is multi-layered, representative of our spiritual selves.

My experience has been what I call “Brainstorming in the Etheric Realm.” Floods of sensations, feelings, ideas, moved through me. It was a completely different state of consciousness, beyond how I used to draw. I captured all of the information that flowed through my third eye. Everything related, the magnitude of it all. It was literally cosmic and yet familiar.

I have had drawing instruction from various artists since I was a child and attended a vocational high school where the arts were major courses. I found that when doing Entura art I draw faces better than I have ever done before.

This state of being is always available to each of us. It is expressive and deepens your relationship with Spirit. For those who may have had difficulty learning meditation, Entura art may be the creative breakthrough that can serve you.

For a look at Ms. Hayes’ work and others who have studied Entura art, visit the Entura Art Graduates and Artists group at Facebook.com. Click on the photos tab and see what has been contributed to the gallery. You will see many, many different styles but they all bring us back to Spirit. Click on Ms. Hayes’ name to visit her personal gallery.

Even though I discussed my uncle’s birthday with relatives, it still slipped my mind to send a birthday card. Eventually, I remembered and went to stores to get one. They were neither attractive nor suitable. Thoughts pop into my mind a lot; this time it was I can create the card. Spirit “appeared” in Mind and it occurred to me I could ask for their assistance in its creation. I asked Spirit if they had a message for my uncle who was about to enter the one hundredth year of being alive on the planet in this lifetime. The message was beautiful, a reminder of God in Action daily through his wife who also a reverend. My aunt is taking care of him as he experiences Alzheimer’s. The channeling was moving. The image has faces of energy with rejoicing expressions of love.

Why is Abstract Art So Popular?

Abstract art is popular because it has a purpose in this world both for the artist and the viewer. Many people collect abstract paintings to beautify their surroundings, as an investment, or to update their lives with contemporary culture. They often feel a connection with the colors, the forms, texture, or energy that the artwork gives off. The artwork changes their living space and creates an atmosphere worth living in.

For the artist, creating the artwork can be an expressive means to channel creative energy and emotion. The action of painting is actually considered therapy and very meditative for many abstract artists. The evidence of this has been documented to be especially true in today’s modern fast pace world.

Abstract art also covers a broad spectrum of painting styles. The general understanding is that this type of art does not depict anything in the natural world and the subject is simply a visual language of color and form. While this is true of non-representational works (which I love to create), this is simply not true for all abstract art out there. The word “abstract” means a departure from reality, but this departure can sometimes be only a slight one. This in-turn leaves room for partially abstract landscapes, figures, seascapes, etc. to be categorized as abstract art.

The beauty of abstract art, both for the artist and the viewer, is that anyone can take what they see and interpret it however they want. Of course this is true of any type of artwork, but considering the nature of abstract artwork, the creative mind has even more freedom to roam and interpret what is appearing before the senses. Abstract artwork is a non-traditional free art form that resonates with the feelings and emotions of today’s contemporary artists and art collectors. As long as this is true abstract art will continue to be so popular.

Using Bitumen In Art

An ever-increasing amount of artists throughout the entire world are using bitumen as they are beginning to discover the many ways in which this medium can enhance their artwork.

What is bitumen? Bitumen can be described as a sticky, black and highly viscous liquid or semi-solid which is found in most crude petroleums as well as in some natural deposits, sometimes termed asphalt, it is thick and heavy and has to be heated or diluted before it will flow. The primary use of bitumen is in road construction, where it is used as the glue or binder for the aggregate particles.

Bitumen is often utilized in artwork in the following way: If you wish to add another layer of interest to your painting, try painting bitumen over the surface area, after which you can wipe back selected sections of the bitumen with turpentine, you’ll then see how the impressive effect can add another interesting dimension to your creation. I suggest that you use a test canvas first for experimenting, once you have achieved the desired effect and the look that best suits you then go forth and incorporate this amazing medium into your artwork, it will transform your art into something which is compelling and uniquely yours.

Bear in mind that bitumen could also be painted over various surfaces so for all those artists out there who love texture and layering, you will discover that this really is a fantastic medium to layer over a textured surface, for example: If you are using foil as a medium on canvas and you have painted the desired colour that you are wanting over the foil, you could then paint over the colour with bitumen, wipe it back with turpentine and see how bitumen can showcase the texture and once again add another level of interest and intrigue to your artwork.

The possibilities are endless and once you start experimenting with this particular medium you will begin to see how the many ways in which you are able to use it in art is merely limited by the imagination.

How to Write a Motion Graphics Design Or Animation Treatment

Give Yourself the best chance of winning the Design or Animation project with these guidelines

The Title & Introduction

The very first thing you will write on any treatment is the name of the project, so it is highly advisable to make sure you get this part correct. When taking a brief it is always a good idea to take as detailed notes as possible about all aspects of the project including the people involved, key words, reference material, technical aspects or limitations, audio preferences and project working titles. These notes will assist when putting the basics into a treatment, and showing your fullest understanding of the brief, like the correct title, or key words that the client was at pains to describe the project with.

Once you have a clean leading page with the clients name, the name of the project, and any subtitle, you are ready to add the first and most important body of text, the introduction or approach.

The introduction, outline, premise or approach to a treatment is a vital and concise 2 or 3 line paragraph, clearly telling the reader what it is they are about to read, and the reason for reading it. Ideally this paragraph will ‘grab’ the reader immediately and tweak their interest, wanting to read the rest of the document.

The Writing Style

The use of descriptive language is an important part of the art of all writing, no less with treatments, where you ideally need to squeeze all the information into one or two sides of a4 paper to paint a clear picture in the readers mind’s eye of exactly what they can expect the final film or animation to look like.

When describing your concept, try and use flowing and elegant phrasing while being descriptive and to the point. A wide use of vocabulary will keep the reader interested and their brain visualising the result.

For example, The brief is for a television crime drama title sequence, and the Director wants the style of the title sequence to reflect the period, atmosphere and subject matter of the script. The Director may use quite descriptive words in a brief like, dark or chilling, ensure to re-use these words in your treatment and add some of your own to further embellish. For example; dark foreboding blackness, or chilling, spine jarring finale.

Try not to repeat the same word too many times, and think of alternative ways to describe the same or similar part of the project. For example; when mentioning a transitional effect in the animation or film, try and find new ways to write about that effect.

Your Branding

Ensure that your business, company or studio logo and branding is clearly marked on the front of the treatment, as well as the body of the treatment to ensure that all who read it will know where it is from and who wrote it. It will also help ensure your ideas stay as your own and are not borrowed by someone else. Another consideration is to flatten your document to ensure that the logo and graphics are displayed correctly and no one is able to edit your treatment or take paragraphs for re purposing into another document. Saving your MS Word or other word processor document as an Adobe Acrobat PDF file is an ideal way of achieving this.

The Concept

This is the main body of text where you can flesh out the idea in more detail. It is important to ensure that this paragraph is easy to read and to the point. Use this part of the treatment as a way of quickly describing the rest of the information that you eloquently touched on in your Introduction. Try and keep the sentences brief with enough space around them to be absorbed easily. Allow the sentences to flow together easily to ensure the reader does not get lost partway through, it is vital that your idea makes sense from start to finish giving your reader the chance of constructing the piece in their own minds eye.

Imagery

Consider including images to assist your concept.

You will probably be producing a storyboard separately to your treatment, but using additional reference images, character illustrations, environment and backgrounds or mood board images in your treatment can really help the reader to grasp what you are saying. Positioning the images is also important, breaking up the paragraphs can lose the readers flow, so try adding an image or series of images under a paragraph.

Using a large image under the Introduction can act as a real eye grabber for the rest of the document.

Reference Material

Reference material is key to helping sell your idea, especially if you can reference your own past work. It is another chance to showcase your work and give the client every confidence in your ability to deliver what you are writing about. References can be web links, embedded links, images, sounds, music tracks, illustration or video. If possible, try and collate it all into one place, an ftp location, a website, a file share location or as zipped attachments to make it easy for the client to explore your references and not have to go to many different internet sites. Again, keeping the treatment easy to read, follow and absorb is paramount.

The Technical Breakdown

The technical section of a treatment should be very factual, very brief and very clear. The clarity will, once again, illustrate to the reader that you have carefully thought the process through and understand exactly what it will take to achieve the finished result. You will always be able to change your thinking with kit later, but at least at this early stage you have approached the idea with a way of technically creating your masterpiece. This paragraph will also illustrate your ability to handle both aspects of any motion graphics project, creativity and technical knowhow, the core components to any motion graphics designer.

Think about outlining what and how many computers you will need, how much disk storage space and backup will be required, which software packages will you be using and are there any specific plug-ins or presets that are relevant. Also take into account the amount of rendering time and hardware that will be needed, archiving considerations, and final delivery formats and other delivery aspects.

Music and Audio

As we all know, music and sound effects can really bring animation and video to life and is a major part of any visual experience. Touch on ideas you have for the music and sound design, include references to other similarly styled videos and describe the tone and atmosphere that the music will evoke with your visuals.

The Budget & Estimated Costs

Costs and quotes are also a huge factor in whether you will succeed in getting the project you desire, but refrain from including any mention of money in the treatment. Instead provide a separate quotation document including any reference to technical or creative specifics in the treatment.

The Conclusion / Summary

The final part of your treatment should act in a similar way to the introduction.

It is a short paragraph that allows you to quickly remind the reader of the key points you discussed in the rest of the document. It is also a chance to use good language to leave the reader wanting to see what you have described, wanting to explore further, wanting to make it come to life.

List of Components

INTRODUCTION – short and sweet

CONCEPT – main descriptive body of text

IMAGES – reference material

TECHNICAL – geeky but essential breakdown

AUDIO – style and reference guide

SUMMARY – the final roundup